![]() ![]() ![]() However, given that so many hybrid content creators continually choose cameras from Canon, Nikon, Sony, OM SYSTEM and others, despite Panasonic having the best video codecs on the market, is quite telling. ![]() What this means for the future of Panasonic cameras is unclear. So, it should be no surprise that they’re now looking into PDAF. Ultimately, the video market is one that Panasonic wants to be a leader in. Honestly, millions of content creators now focus on nothing but video, so it’s a smart move on Panasonic’s part to double-down on the hybrid market more than just stills. The market has shifted more toward hybrid content creators who produce both stills and videos. With this in mind, I can see why Panasonic wanted to stick with its DFD system. This even rings true for cameras like the GH6 ( read our full review here), too. The contrast-detect autofocus system is A-OK for portraits, landscapes, nature, astrophotography, event, street photography and any other genre of photography. I used the Panasonic Lumix S5 to capture motocross bikes zooming around a dirt track, football players, and more. When it comes to stills, Panasonic’s DFD autofocus system is incredibly responsive and very accurate in all lighting conditions. This will no doubt delight videographers out there. Many things came to light in the discussion, including the renewed partnership between Panasonic and Leica, Panasonic’s imaging business, which saw a double-digit increase in 2021, and of course, the discussion about PDAF. However, they might finally be realizing that if they want to dominate in the world of mirrorless camera video capture, they might eventually have to adopt PDAF, which we all know as phase-detect autofocus.Ī recent article on 4/3 Rumors shares an interview that Imaging Resources had with Panasonic a couple of weeks ago. Still, Panasonic has insisted that DFD autofocus is the future. The complaints around DFD autofocus have been around for as long as I can remember. While it might take a while to see it in some clips, you can’t unsee it once you notice it. However, the pulsing effect of DFD autofocus can be incredibly off-putting and distracting for those who create videos. Panasonic has tried to sell us on their DFD (contrast detect) autofocus for years. While DFD autofocus is fine for stills, it’s far from perfect for video, which is a problem when Panasonic wants to corner the videography market. ![]()
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